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    Day: August 19, 2019

    Trump Lear - EdFringe Review
    Trump Lear - EdFringe Review
    Aug. 19, 2019 by Ronan Hatfull Edinburgh Festival Fringe 2019, Fringe Theatre, THEATRE
    952

    Trump Lear is a political impressions show that packs a prodigious number of fantastic imitations into its hour and also serves as a powerful comment on freedom of artistic speech. read more

    Showstopper! The Improvised Musical - Edfringe Review
    Showstopper! The Improvised Musical - Edfringe Review
    Aug. 19, 2019 by Ronan Hatfull Edinburgh Festival Fringe 2019, Fringe Theatre, THEATRE
    554

    The concept of an improvised musical is fairly well-worn these days but Showstopper! remain its most high-profile exponents and, on this evidence, we should not bet against them continuing their Olivier-award winning dominance long into the future. read more

    The Brand-New, Full-Throated Adventures of Reginald D Hunter – EdFringe Review
    The Brand-New, Full-Throated Adventures of Reginald D Hunter – EdFringe Review
    Aug. 19, 2019 by Ronan Hatfull Edinburgh Festival Fringe 2019, Fringe Theatre, THEATRE
    552

    Hunter strides onstage simply and without fanfare or announcement, taking us by surprise and immediately making the audience feel at home with his relaxed tone, as though we could be sharing this hour in his front room. read more

    Lucy McCormick: Post Popular - EdFringe Review
    Lucy McCormick: Post Popular - EdFringe Review
    Aug. 19, 2019 by Ronan Hatfull Edinburgh Festival Fringe 2019, Fringe Theatre, THEATRE
    1121

    Lucy McCormick viciously and thrillingly pushes against the conventions of a stand-up show, whilst simultaneously attempting to capture the aesthetic beauty of a performer excelling across so many platforms. read more

    Shit-Faced Shakespeare: Macbeth – EdFringe Review
    Shit-Faced Shakespeare: Macbeth – EdFringe Review
    Aug. 19, 2019 by Ronan Hatfull Edinburgh Festival Fringe 2019, Fringe Theatre, THEATRE
    621

    Shit-Faced Shakespeare has no doubt popularised the Bard for a twenty-first century audience through a bawdy and direct reinterpretation of the text. read more

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